Philosophy

POST-PRODUCTION MADE PERSONABLE

This is a unique post experience where I invite you into my cozy home to make it your artist studio. The space is warm and inviting, built in the 1930s and renovated thoughtfully keeping hints of its original charm all around you. A lit candle or two and some soft music create a relaxing and yet professional environment perfect for collaboration.
Take a phone call, eat a meal, catch up with your DP who you haven’t seen since you wrapped, and of course, sit back, relax and see your hard work come to life.

Every client has varying degrees of knowledge about the technical aspects of post-production.
I like to meet each person where they are and carry them through post as seamlessly as possible whether you’re a DP who knows the exact look you’re going for or a director who wants to experiment and create something new together.

BIPOC / LGBTQIA + / Disability

Adjustable rates is a tool for economic justice.

I know that not every artist has, or has had, the same opportunities and resources available to them throughout their journey into storytelling. I offer adjustable rates to increase access to high-end post-production services. This way filmmakers and artists can receive a high-quality post experience no matter what they have budgeted for post.

If you are BIPOC or LGBTQIA + or someone with a disability and would like to work together:

After receiving a quote, if you for any reason, would like to negotiate the rate, I will happily collaborate with you to settle on something that’s comfortable for both of us.

Thank you 69herbs for introducing me to this tool. For more info on adjustable rates/sliding scale, you can check out the work of Alexis J. Cunningfolk.

WHAT OTHERS SAY:

Testimonials

“Thank you so much for all of your incredible work on the film. It looks gorgeous and I’m so glad that you were a part of this final process.”

—ELLIOT MONTAGUE, DIRECTOR

“Your work is so beautiful and really elevated the film. We’re very proud of and excited about it, so thank you for being a part!”

—CLEA ASLIP, PRODUCER

“It’s been so cool to learn something about the movie from the color work. The grade shift is literally the climax of the film now. It’s so neat.”

—BRETT DAMERON, DIRECTOR

“The professionalism, enthusiasm and artistry Marika brought to the film, especially in those last chaotic days, elevated my whole experience.”

—KRISTIAN FRAGA, DIRECTOR

“Marika, you did such a wonderful job on this pass! It’s a good sign when the filmmaker cries at how beautiful it looks right? Thank you, thank you!”

—MARY MARXEN, DIRECTOR

“I forgot how refreshing it was to receive the first color pass, especially when we have someone like you working on it. Thank you so much, not only for the speedy day return, but also for the excellent job.”

— ADRIAN CARDENAS, DIRECTOR